James Franco is one of the most fascinating actors, as he constantly is wavering between mainstream and indie cinema. For better or worse, he is someone who will continue to challenge himself and take daunting roles.

I Am Michael may be his most challenging role yet. Premiering all the way back at 2015’s Sundance Film Festival, this film follows the true story of Michael Glatze, a gay man who rediscovers his faith in the Christian Church. As he gets deeper into his faith, he begins to question exactly who he is.

I Am Michael has been sitting on the shelf for two years now, which I find to be a particular shame. With a sensitive approach and nuanced performances, I Am Michael tells a fascinating tale of self-discovery.

Franco may be divisive, but gives his best performance since 127 Hours. Capturing Glatze’s dramatic transition is a very tall task, but Franco accomplishes the high-wire act with a thoughtfully understated performance. It’s a quiet performance, but one that captures a great range. Franco seamlessly goes from a fiery gay activist to a calm madness as he enters his existential crisis. Zachary Quinto and Emma Roberts are quite good as well in supporting roles.

Much of what makes this film come together is writer/director Justin Kelly. In both efforts, Kelly demonstrates a thoughtful detachment from this material, not passing judgements on the characters and their unique situation. The detachment the film haves proves to be effective, especially when capturing Glatze’s cold demeanor.

I Am Michael isn’t without its fair share of resonant moments. Understated scenes between Franco and Quinto in particular portray the heartbreak both characters have over Glatze’s transition. Kelly does a good job of ringing out these quiet moments while giving the film a consistent tone.

While Kelly shows promise with his efforts, there is some room for improvement. At times this film misses at being as cutting as it could have been, with Kelly’s style often leaving much to be desired. Kelly’s filmmaking is formulaic, with the film mostly being composed of flat shots and a lack of visual flair. Just a few more touches of style could have made this story come to life even more.

I Am Michael captures Glatze at his core, but could be helped by just a bit more nuance. The character’s transition is well-defined, but a few more scenes to render the character’s complex emotions could benefit the material even more.

I Am Michael tells its fascinating true story with thoughtfulness and respect, with great performances brining the material to life.

Grade: B